Sound of Charlotte Blog
Amy Orsinger Whitehead Lends a Healing HandApril 13, 2022
For over 20 years the Charlotte Symphony's Healing Hands program has sent musicians to perform in area hospitals, libraries, senior care centers, and shelters for people experiencing homelessness. Since the program's inception, CSO Flutist Amy Orsinger Whitehead, violinist Elizabeth Pistolesi, and cellist Deborah Kauffman Mishoe -- named The Laurel Trio -- have been using their music to enrich the lives of patients, residents, and community members throughout Charlotte. We recently caught up with Amy to discuss what makes this program so unique and special.
Why is the Healing Hands program so important to you?
Our trio has done lots and lots of Healing Hands performances throughout the years taking our music on the road to wherever the need exists. I think it's very important to meet people where they are because some get to a certain point where they're not able to come to the concert hall to hear us play. If we are able to take ourselves to where people live and give them the gift of beautiful music something they've enjoyed all their lives it's a privilege for us. I think, honestly, that we get as much out of it as the people we perform for. It's really a lot of fun and it's quite meaningful for us because we enjoy being able to make a little bit of a difference in someone's day with our music.
How does the audience respond to your performances?
This has been quite powerful for us. In a situation where we're playing in a dementia setting, you might see a resident that doesn't seem to be responding to anything around them, but you'll see them react and respond to the music and even start singing along! We have a Motown medley that has inspired a lot of spontaneous dance parties, too! The music reaches deep inside people and has an impact that might not be easily achieved outside of music, and that is just so incredible. It's actually pretty hard to play the flute when you feel like you're getting choked up or teary-eyed, and so it can be a bit hard for me, I have to tell myself not to get swept away by the emotion of it. Seeing the immediate impact that we're having to think that we're making even the tiniest difference for people is really wonderful, and we feel so fortunate to get to have that experience.
Your trio performs a lot at senior care facilities and senior centers, but you've also performed at Moore Place, a supportive housing residence for chronically unhoused adults.
Yes, we have! It's a whole different age range than we usually play for, and we love to hear them tell us about their stories and musical connections the songs they remember and the instruments they played in school. Music can help ground us to where we are currently, moment by moment, but it has such a great way to take us back to a previous time in our lives. It's pretty incredible when we get to see this happening and experience the music the way the people listening are experiencing it. It's nice to relive people's memories with them.
How was the program able to adapt during the pandemic?
We were able to pre-record two programs, one holiday program and another non-holiday program for people of all ages. We provided online performances where the video was played and each one of us would announce the next piece live. It was a really great mix of technology and heartfelt love between all of us! We loved being able to interact with the people who were zooming in and we always had a really fun chat thread during the performance. People were really needing something like this in their lives at that moment. And to be able to have a holiday concert in December, when we were so closed off from each other for so long was extra meaningful.
Do you have a favorite memory from a Healing Hands performance?
I think my favorite moment ever was when we were playing at a senior living facility called Renaissance West. That's the place where they have been known to break into spontaneous dance parties and they love to sing along! One time, during a holiday concert, I could see a lady moving from person to person and I could tell she was on a mission to get everyone in the room to do something. We didn't think much of it, but at the end of the concert they brought up to us a Christmas card that they had all signed. It was just so sweet, and I carry that with me in my folder because it's such a special memory. That was such a great day, I can't think of it without smiling.
Learn more about the Charlotte Symphony's Healing Hands Program.
- Kenney Potter on Mendelssohn’s Lobgesang
- A Tradition Returns to Charlotte: The Symphony Guild of Charlotte’s Heart of the Home Tour
- William Grant Still: The Dean of African American Composers
- Composer Spotlight: Daniel Bernard Roumain
- Music and the Holocaust Makes an Impact
- Joshua Weilerstein on Brahms’s Fourth Symphony
- 2022: A Year in Review
- A Composer to Know: Erich Wolfgang Korngold
- A Spooky Halloween with Your Charlotte Symphony
- Memorial Service for Her Majesty Queen Elizabeth II