Sound of Charlotte Blog
A Spooky Halloween with Your Charlotte SymphonyOctober 5, 2022
This fall, the Charlotte Symphony presents two events guaranteed to get you in the Halloween spirit: Jordan Peele's ground-breaking social thriller GET OUT in Concert, with Michael Abels' award-winning score performed live to the complete film, and Symphony Spooktacular, a frightfully fun family concert featuring eerie tunes about trolls, magic, witches, and dancing.
GET OUT in ConcertNovember 4 | Belk Theater
The Charlotte Symphony, led by conductor Thiago Tiberio, presents social thriller GET OUT -- the revolutionary film by Academy Award-winning filmmaker Jordan Peele. This heart-pounding movie takes you on the journey of a young African-American man who visits his white girlfriend's family estate and uncovers a sinister reason for the invitation.
Composer Michael Abels incorporates the African-American voice in the film and created a new genre called "gospel horror." Below you can hear the eerie Swahili vocals and gospel undercurrents of the main theme, Sikilza Kwa Wahenga. According to the composer, these sounds are intended to act as ghostly echoes of dead slaves and those who were lynched, sending a warning to the main character to "listen to the ancestors."
Symphony SpooktacularOctober 22 | Knight Theater
Dress up in your favorite Halloween costume and join your Charlotte Symphony for a macabre morning of frightful fun for the whole family! Resident Conductor Christopher James Lees will lead the Symphony in some seriously spooktacular music like Coleridge Taylor's Conjurer's Dance, Grieg's In the Hall of the Mountain King, and magical music from Harry Potter and the Sorcerer's Stone. PLUS: wear your best costume for a chance to win tickets to a future Family series concert!
Prepare yourself for this paranormal program with a clip from Disney's Fantasia featuring Mussorgsky's spine-chilling Night on Bald Mountain.
John Williams on His Harry Potter Children’s Suite for OrchestraJanuary 5, 2022
Whether it's the soaring heights of Harry on his broomstick, the grandeur of his snowy owl, or the fear of facing one's enemy in battle, John Williams perfectly captures - through sound - the majesty and wonder of Harry Potter's magical world.
His Children's Suite for Orchestra brilliantly introduces each section of the orchestra through the musical themes we all know and love. Below, Williams describes how this piece came to be and what you can expect to hear when the Charlotte Symphony performs this piece on January 22.
When I wrote the full orchestral score for Harry Potter and the Sorcerer's Stone, I hadn't planned to write the eight miniatures presented here. The film's score did not require them, and our production schedule, usually very difficult in the film world, made no provision for their arrival.
However, if I can be permitted to put it a bit colorfully, each piece seemed to insist on being "hatched" out of the larger body of the full score.
Hedwig's FlightI began writing Hedwig's little piece, and each of the others followed quickly as they seemed to arrive all clamoring for their individual identities. I selected a combination of instruments that suited each theme, and this suite of pieces is the result.
Hedwig, the beautiful owl who magically and mysteriously delivers mail to Harry Potter at Hogwarts School, is musically portrayed in the first miniature by the celesta, a luminous little instrument which is capable of producing pearly, crystalline tones at dazzling speeds. The celesta begins its flight alone, but quickly is joined by the violins, possibly the only other instrument capable of attaining the dizzying pace needed to defy gravity and achieve flight.
Hogwarts ForeverHogwarts School of Witchcraft and Wizardry, that august institution that has trained and taught young wizards for centuries, is probably best described by the French horn section of the orchestra. No other instrument seems so perfectly suited to capturing the scholarly atmosphere of Hogwarts than the noble and stately French horn.
VoldemortIn the third miniature we meet Harry Potter's arch-enemy, the evil Lord Voldemort, who is portrayed here by a trio of bassoons sounding their mysteriously deep and sonorous tones.
Nimbus 2000The Nimbus 2000 is Harry Potter's own personal broomstick. To musically depict this ingenious mode of transportation we have the woodwind section, with its flutes, oboes, clarinets, and bassoons, all capable of extraordinary leaps and astonishing agility, forming a perfect match for the nimble Nimbus 2000.
Fluffy and his HarpOn the third floor of Hogwarts School, we find Fluffy, the huge three-headed guard dog. Fluffy is a music lover who can only be made to fall asleep to the sound of music. Here the contrabassoon represents the snoozing Fluffy, while his music is provided by the beautiful...and in this case...soporific harp.
QuidditchIn the Harry Potter books, Quidditch is a form of intramural competition that's played on flying broomsticks. The games are conducted every year at the Hogwarts School with great pageantry, featuring colorful flags and cheering crowds. In the sixth miniature, the pomp and ceremony of these Quidditch games is best represented by the blazing brass section of the orchestra, with its tuba, French horns, trombones, and heraldic trumpets.
Family PortraitIn the seventh miniature, "Family Portrait," the clarinet introduces the themes that relate to the disparate parts of Harry Potter's emotional life, and here it is accompanied by the cello section of the orchestra, which produces a wonderfully warm and beautiful sound.
Diagon AlleyDiagon Alley is a sort of shopping mall of the wizard world. Along with the wondrous things to be seen in the Alley, we're also transported by the sounds of antique recorders, hand drums, and percussion instruments of all kinds. There is even an elaborate solo part for the violin, cast in the role of the witch's fiddle.
With all of the miniatures presented, the suite concludes with the entire orchestra as it explores many of the themes heard throughout "Harry's Wondrous World."
My fondest hope is that instrumentalists and listeners alike might share in some of the joy that I have felt in writing music for this delightful story.
~ John Williams
Passing Down the Love of MusicNovember 8, 2012
|There was a certain large piece of furniture in my childhood bedroom that could only be described as uncharacteristic to such a space. Sandwiched between my Barbie house and the bookcase filled with Babysitter's Club titles sat a cabinet record player. I'm assuming it was there for lack of a better place in my parents' home. Nevertheless, there it sat and as a result, music has always been a prominent element in my life. I placed the needle gently down on a record of my choosing before doing just about anything else in that room every single day. I sang. I danced. My Barbies danced.
One album I remember from my youth was a recording of circus-themed classical music,
I've been encouraging the love of music to my daughter since her birth three years ago and I'm so excited to take her to the Charlotte Symphony's Lollipops performance of Carnivals and Clowns on Saturday, November 10th. This is the first Lollipops concert of the season and it's a not-to-be missed event on my calendar. I can't wait to watch my daughter's face light up as she hears the colorful music.
Along with the performance of Dvorak's Carnival Overture and Joplin's Maple Leaf Rag, the concert also features Drew Allison and his Grey Seal Puppets and these puppets are always so fun to watch! Drew Allison will help tell the Russian tale of Petrushka, the straw puppet that comes to life, set to Igor Stravinsky's music score. I'm looking forward to hearing this and all the other beautiful pieces in this weekend's program.
My daughter loves coming to the pre-concert festival. Here she plays several instruments of the orchestra, makes musical arts and crafts and sees demonstrations by local musicians. After the concert, we plan to head next door to the Bechtler Museum of Modern Art's Family Day event to make even more art for our Home Collection.
After such an exciting Saturday morning, it's quite possible that there will be a little tight-rope walker or lion-tamer performing in our living room later on in the day. In fact, I'm quite hoping for it. And I'll help hold the hula-hoop as all the animals jump through.
Essay by Mandy Smith, Charlotte Symphony Marketing Manager and mom of Molly Grace.
- Kenney Potter on Mendelssohn’s Lobgesang
- A Tradition Returns to Charlotte: The Symphony Guild of Charlotte’s Heart of the Home Tour
- William Grant Still: The Dean of African American Composers
- Composer Spotlight: Daniel Bernard Roumain
- Music and the Holocaust Makes an Impact
- Joshua Weilerstein on Brahms’s Fourth Symphony
- 2022: A Year in Review
- A Composer to Know: Erich Wolfgang Korngold
- A Spooky Halloween with Your Charlotte Symphony
- Memorial Service for Her Majesty Queen Elizabeth II