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Reservations Are Required – and Rewarded – at Charlotte Symphony's "On Tap" Concerts

Apr 23, 2019

By Perry Tannenbaum

Beer gardens, rathskellers, and brewpubs have traditionally encouraged their patrons to listen to music, lift their glasses in song, and maybe dance a polka, but for many classical music enthusiasts, the Charlotte Symphony's excursions to local breweries for "Symphony on Tap" concerts may seem to be pioneering. Apparently, they originated in 2015, with a season kickoff party at Belk Theater, and then evolved into a similar event the following September at Booth Playhouse, before the orchestra ventured forth to the NoDa Brewing Company for their third such event in November 2016. In terms of sampling these more informal concerts and getting the word out I will freely admit that I'm late to the party. Special dispensation was required to review the latest in this concert series, since it was sold-out weeks in advance.

Obtaining their tickets in advance, patrons pre-qualified themselves as interested in this product, though you had to wonder how many of them had bothered to check out the CSO website to see what they would actually hear. When NoDa Brewing owner Susie Ford drew attention to the stage, the crowd quieted, and there was no great commotion when the musicians performed. Yet there were limits to the decorum. Lines to the taps got shorter when the concert started and, after a strategically placed intermission, when it resumed, but people continued to line up for their pints and sampler flights of NoDa brew. Conductor Christopher James Lees was not at all perturbed. On the contrary, he encouraged the relaxed atmosphere and even plugged the brewery's award-winning "Hop, Drop 'n Roll" on numerous occasions.

In a place where you couldn't call for a Bud, a Blue Ribbon, or a Miller Lite, it was encouraging but not altogether surprising that Lees was emboldened to offer us more than a strict Haydn-Mozart diet. After opening with the Adagio and Fugue, not the lightest of Mozart's works, we detoured into Gustav Holst's St. Paul's Suite. Further out on the musical frontier, the second half of the program began with a Tango by Alicia Bachorik Armstrong, a living composer who was on hand to introduce the piece. Even the Haydn symphony that closed out the evening, the "Alleluja" (No. 30), was off the beaten path.

Unacquainted with the "Symphony on Tap" ground rules, I was afraid that we were going to hear the spirited Jig from the St. Paul's Suite. It transitioned nicely from a merry dance to a briefer, more insistent episode almost a march before the Vivace movement accelerated to an even quicker pace. Effectively shaped and very well suited to the room, the movement drew applause. Lees not only tolerated this beerhall response but encouraged it, for he proceeded to introduce each of the next three movements before they were played. Just as he had explained what a fugue was prior to the Mozart, he now deciphered the mystery of what an ostinato is before playing the movement that bore that title. Second violins initiated this repetitive figure over pizzicatos from the other strings, not the swiftest presto I've heard on this movement, and concertmaster Calin Lupanu soloed gracefully. Lovelier Lupanu was wrapped into the ensuing Intermezzo as he entered over delicate pizzicatos and over a baby's cries in his most virtuosic passages. Violist Ning Zhao engaged Lupanu in a couple of satisfying duets here as well. Probably the most engaging music of the evening, Holst's Finale, ended by meshing an Irish folk dance with the traditional "Greensleeves," both melodies frequently heard simultaneously in this rousing Allegro. Even without the customary percussion, it energized the audience.

Although this was the last official "Symphony on Tap" for the 2018-19 season, the uniquely relaxed vibe of the series lingered on after the final note. Along with an audience mostly seated in casual dress at tables, instrument cases stowed under musicians' chairs, and audience applause between movements, there was no sudden rush for the exits after the final note. The night was young and the taps hadn't shut down. The Charlotte Symphony has obviously reached out successfully to the community with these concerts, and NoDa Brewing Company isn't the only joint they visit. Come summer, the CSO will return to Triple C Brewing for a June 27 concert in the Barrel Room,* and a whole new flight of "On Tap" events is already booked for 2019-20.

*In addition, there are many, many CSO community events coming up, aimed at bringing the orchestra out of uptown and reaching people where they are.

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